The message is in the receiver

ear-mouth

When Wittgenstein proposed that ‘the message is the receiver’, he meant that no matter what the speaker says, the meaning can only ever be interpreted and understood in the listener.This idea implies that:

[a] The listener comes complete with their own context and preconceived notions and

[b] these preconceived notions work to create interference for the speaker’s message and result in a different message being understood if the speaker and listener’s contexts vary. Quite often, we need to rally a message back and forth in order to have the speaker’s meaning really understood. This is never more true when two different people or groups with different backgrounds, goals and experiences are trying to communicate.

We’re all familiar with the shift from broadcast to dialogue but what does it mean in action? Let’s take an example.

We need to pick on somebody, so while Procter and Gamble has done some interesting and positive civil branding actions with the Tampax (see previous post), let’s use their latest drama regarding airbrushing model Twiggy for their Olay brand so we can work with a practical example.

olay-twiggy

The Guardian reported:

P&G said that there would “always be differences between uncomplimentary paparazzi shots and professional beauty photographs”. The company argued that an article in a national newspaper, which featured Twiggy “off-duty” in the Olay ad, may have prompted the complaints.

P&G added that it was “routine practice to use post-production techniques to correct for lighting and other minor photographic deficiencies before publishing the final shots as part of an advertising campaign”.

The company said that there had been some “minor retouching” around Twiggy’s eyes, which was inconsistent with its own policies; this had already prompted it to withdraw the original ad and replace with one in which there was no post-production work around the eyes.

There are certainly two different conversations going on between the speaker (P&G) and the listener (media, normal people). Groups are upset that Twiggy is being made to appear younger than she is when endorsing a product. In their statements, P&G explains their ideas on policy, their view of the situation and technical details of a shoot.

The listener wanted P&G to discuss the concern of making older women appear younger than they are in order to sell product. In not responding to directly to their concern, the listener feels ignored and will try to reengage P&G in other ways, likely expressing frustration.

It’s just like an argument with a friend where you are trying to get your story across but the other party is not up for listening.

This situation is a lost opportunity for P&G to talk about the companies views on authenticity, airbrushing and ageism. These views are important to many of P&G’s customers as Unilever has proved with Dove.

Here are five rules that we’ve developed over the years to help when responding to this kind of situation:

  1. Focus on the response. Listen to the responder and take the conversation to their topic. Don’t try to change the topic or shut the conversation down prematurely.
  2. Use their topic as a platform to speak about your ideas on their concerns. P&G could have used this situation to discuss their ideas on celebrity image in a modern society, how it is changing, issues of ageism or any other important topic to P&G.
  3. Take the conversation to its conclusion. Each participant will want to direct the conversation down their own path. Make room for each other’s ideas and you will have more air time to talk about your own thoughts on the subject and have your ideas understood.
  4. Be open and be true. You need to be open in order to keep the conversation going, but you also need to be true to your own ideas and values. If opinions really differ, then you need to agree to disagree, but in our experience, this is very rarely the case.
  5. Take action. These kinds of conversations often raise new opportunities. Be quick to capitalise on them to secure your position and reinforce your words with deeds.

Of course, Olay/P&G is not alone. Marketers are trained in strategy that does not include two-way participation, so learning the ropes is difficult. When handling these situations, marketers often take on a defensive or debate-like position. While it takes effort and bravery, entering into the listener’s conversation opens up entirely new areas of opportunity for a brand and can turn out to be moments of real innovation.

Further reading:
Lib Dems call to ban airbrushing
Could Tampax be another Dove?

The message is in the receiver

Could Tampax be another Dove?

There’s been much debate here at Brandinstinct about P&G’s creation for Tampax of Zack the 16 year old guy who gets a taster of the whole menstruation experience for a teenage girl.

The idea seems to be about creating conversation around this still-embarrassing issue. As menstruation is specific to females of our species, you may think Tampax cannot benefit from the civil branding approach because it is not inclusive to both genders. Indeed the primary objective may be to increase dialogue between mothers and daughters about periods. The fact that Zack has so many female followers on Twitter probably indicates that these films talk mostly to women.

By transferring the menstruation experience to a male character, Tampax may be creating more than just a rhetorical device. It may be opening up conversation on the topic amongst guys, perhaps not a conversation they start themselves but that they get drawn into because they are guys.

These Tampax films contain a great deal of empathy, and could work towards creating more gender equality through empathy and understanding (helping men understand women).

So, could Tampax be on a Civil Branding trajectory here? It could well be, if it’s inclusive because guys get drawn into the conversation. It’s important because desensitising menstruation could make a big difference to women’s lives, and it’s influential because the empathy shown in these films gets people thinking and may even get them to behave in a more gender-equal way.

Through the Campaign for Real Beauty, Unilever’s Dove made a great contribution to body image issues with an inclusive approach. We think ZackJohnson16 has potential for similar success.

One thing we agree on is that these films are very socially active. The civil branding approach increases brands’ social activity by using socially-progressive narratives to make a connection with people as members of wider society rather than just customers.

It would be great to hear your views.

http://zack16.com

Could Tampax be another Dove?

White paper on civil branding now available for download

The paper that outlines our civil branding effort and explains a technique for creating more civil brands is now ready for download. Inside, you will find the following:

[1] Synopsis of the civil branding idea and its importance to marketers and society.
[2] Step-by-step process for creating more differentiated, more civil brands.
[3] Case studies from Citibank, Dove, Benetton, HSBC and others.

+ Download here

White paper on civil branding now available for download